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The Timeline

The Railcut timeline is the main editing surface. Here’s a map of what’s where and what it all does.

The Railcut timeline showing video and audio tracks with clips, thumbnails, and waveforms

The toolbar runs across the top of the panel. Left to right:

  • Timecode display — shows the current playhead time in HH:MM:SS:FF format. Click and type to jump to a specific time or click and drag to scrub
  • Comp name — displays the name of the active composition
  • Tool selector — buttons for all editing tools (Select, Ripple, Rolling, Razor, etc.)
  • Snap toggle — magnet icon, or press Shift+S
  • Add marker — adds a marker to the selected clip or timeline if nothing is selected
  • — opens the settings menu, including:
    • Selection Follows Playhead — clips touching the playhead auto-select when playback stops
    • Estimate Playhead Position During Playback — smoother CTI movement on slower machines
    • Show Opacity and Volume Lines — hide or show the keyframe lines on clips
    • Show Video Tracks / Show Audio Tracks — collapse either track section to reclaim vertical space
    • Submit Feedback — send a bug report or feature request directly from the panel
  • Bell icon — opens the What’s New dialog. A badge appears when a new version has shipped. The dialog shows release notes organized by version — click any entry to expand it.

The ruler at the top of the track area shows timecode. Click anywhere on the ruler to jump the playhead to that time. Drag the playhead to scrub.

The main canvas where your clips live. Clips are drawn as colored blocks matching the AE label color of each layer.

Video tracks sit above the center line. Audio tracks sit below. The track area scrolls horizontally and vertically independently.

The column on the left shows one set of controls per track. Each set includes:

  • Track name — click to rename
  • Visibility toggle (Eye)
  • Lock — locks the entire track against editing. Locked tracks are skipped by all edit operations: Add Edit, Delete, Ripple Delete, Extract, Lift, and Razor (split all). Clips on locked tracks can still be selected and viewed, but not modified.
  • Mute (M)
  • Solo (S)
  • Track Patch — determines where clips’ audio/video sources are placed when added to the timeline
  • Track Target — influences certain edting actions

Right-click anywhere in the track controls area to add or delete tracks.

Video tracks appear above the center divider, stacked bottom-to-top (V1 at the bottom). Clips on higher-numbered tracks appear visually on top in the AE comp.

Each video clip shows:

  • A color bar using the layer’s AE label color
  • First-frame thumbnails (when enabled in Settings → Cache)
  • The clip name
  • Opacity keyframe line (when the track is tall enough to display it)

Audio tracks appear below the center divider, stacked top-to-bottom (A1 at the top). Each audio clip shows:

  • An amplitude waveform (when enabled in Settings → Cache)
  • Audio level keyframe line (when the track is tall enough to display it)

Clips with both video and audio sources appear as linked clips on both video and audio tracks.

When Show Thumbnails is enabled (Settings → Cache), video clips show a first-frame thumbnail extracted from the source file.

When Show Waveforms is enabled (Settings → Cache), audio clips display an amplitude waveform. See Audio Waveforms for details.

Clip colors match AE’s label system. Right-click a clip and select a color swatch to change the label. This applies to all selected clips.

Drag the bottom edge of any track header to resize that track’s height. Taller tracks show more clip detail.

When a track is short, the track name and keyframe lines are hidden to keep the display clean. Expand the track height to reveal them.

You can also use Alt+Scroll on the track header sidebar to resize all tracks simultaneously, or use the wrench menu shortcuts:

  • Shift+– — minimize all tracks
  • Shift+= — expand all tracks

Railcut displays keyframe lines on clips for two properties:

  • Opacity — on video clips
  • Audio level — on audio clips

Keyframe lines are only visible when the track is tall enough to display them. Toggle their visibility globally with Show Opacity and Volume Lines.

Press P to activate the Pen tool. With the Pen tool active:

  • Click on the keyframe line to add a keyframe at that point
  • Click and drag an existing keyframe to move it in time or change its value
  • Click and drag on an empty area of the clip to marquee-select multiple keyframes at once
  • Right-click a keyframe to delete it

The Selection tool (V) can also manipulate keyframes — click and drag any existing keyframe point to reposition it. Use the Pen tool when you need to add new keyframes.

Right-click any keyframe to set its interpolation type:

  • Linear — constant rate of change between keyframes
  • Bezier — smooth ease with manually adjustable handles (in AE’s Graph Editor)
  • Auto Bezier — smooth ease with automatically calculated handles
  • Continuous Bezier — smooth ease that maintains continuous velocity through the keyframe
  • Hold — value snaps to the next keyframe with no interpolation (hold frame)
  • Ease In — applies a smooth deceleration into this keyframe
  • Ease Out — applies a smooth acceleration out of this keyframe
  • Delete — removes the keyframe

These map directly to AE’s temporal interpolation types.

ActionHow
Zoom in+
Zoom out-
Zoom to fit sequence\ (toggles between fit-all and previous zoom)
Zoom toward cursorAlt+Scroll on the timeline canvas
Resize track heightAlt+Scroll on the track controls sidebar
Minimize all tracksShift+–
Expand all tracksShift+=
  • Horizontal — scrollbar at the bottom, or Shift+Scroll over timeline
  • Vertical — scroll, or drag with the Hand tool (H)
  • Click the ruler — jumps the playhead to that position
  • Drag the playhead — scrubs through the timeline
  • Arrow keys — step one frame at a time
  • Shift+Arrow — step 10 frames at a time
  • Home / End — jump to the start or end of the comp
  • Up/Down arrows — jump to previous/next edit points
  • Shift+I/O — jump to in/out points

During Playback, the playhead animates in real time showing an estimate of Ae’s current time.